The Canon 55-250 is a unique lens

I have heard of many different reviews the Canon 55-250, and they were all so very different and yet exactly the same. Every review I read concentrates on a different function, extolling its virtues and discussing how this specific feature is the Canon 55-250, better than any other lens. A review, I have read only concentrated on the Optical Image Stabilizer technology that uses the Canon 55-250, while the other just could not stop telling me how wonderful the UD lens element is.

Although each review of the Canon 55-250 was completely different from the last, they all had one thing in common. Each of them told me that I just had to buy one of these lenses. It ya a month, I took the decision to do exactly this, so I was walking to my local stockist, came out right rear of my local stockist and buys then significantly cheaper online. I used the camera since, and I can just get enough of it.

Although all these positive reading Canon 55-250 exam was great, I could not find those describing all the benefits of this lens in plain English and simple for a point of view of users, so I decided that I'd write one myself. As I stated earlier, the Canon 55-250 uses the Optical Image Stabilizer technology. This means that the lens is capable of stabilizer himself, even when held hands, making it easier to obtain these clear action plans. It essentially means that without a lot of horrible blur, you can take photographs at hand with a fifteenth of a second shutter speed.

The Canon 55-250 lens also has a UD-glass lens element, which is designed to correct any problem of chromatic aberration can occur. This gives a fantastic image quality, throughout the focal range of the lens. Getting to the bottom for the more technical side of things, the maximum opening is f/4 to f/5.6, there are 12 elements in 10 groups and the length nearest focus is 3.6 feet. Weighing only 13.8 ounces and measuring only 4.3 inches by 2.8 inches, the Canon 55-250 is also a very light and compact lens, making it easy to carry when outside all day.

As far as telescopic zoom lenses, Canon 55-250 is certainly an outstanding example and I couldn't be happier that I have taken the decision to buy an and is strongly recommended that anyone who thinks to do, do!

Do you think that it is the ideal lens for you?

I know, that it may be difficult to choose the ideal lens for your camera. You can spend hours to research and always end up buying the wrong lens. Worse still, you could lose a lot of money and time in the end.

If you think that this is not the lens for you, then see my Canon 18-55 review for an alternative.

This will give you a fresh alternative to this review of Canon 55-250.

View the original article here

Two tricks of the trade used by photographers of the product

Photographers of experienced professional products have a wide range of tips and tricks they use every day to reach the sorting of the final results that not only look incredibly simple to reproduce, but who actually do the work to make people want to buy the product. It is often these photographs whose simple and relatively simple appearance that require the most important work, planning and preparation. It is only when you try to recreate these kinds of images yourself you start to realize that it is really much more to professional photography product that meets the eye, or even of the lens.

For example, you might need a product that you want to display the commands, like iPhone for example. With this dish on the table makes it look less real, and that you think, almost certainly correctly, that by standing products, it seems more three dimensions, most real and therefore more tangible and attractive.

But if you have already tried permanent iPhone or another thin, curved up you'll have noticed that it is very difficult. You can try something like Blu - Tac or plastecine, but you can't really there to confront directly unless you corner of the product in a ball, but of course it is then quite obvious.

In some cases, you will find that the product can even be supported by behind very well because it is transparent, mesh or very complex. The answer in many cases is to use the fishing line or cotton thread that is sold as "color matching" because it is truly transparent. By attaching a piece of it on the back of the iPhone with BluTak or by tying around a part of the product, you can have the standing product, or even inclined angle. Of course, you will also have the visible thread, which is if clever post production. By using technical complexes, it is possible to remove completely from the line, even of quite complicated and busy environments, making it look as if the product is standing all by itself, seemingly defying gravity photo editor.

But it is a major problem that must be overcome and there is much more. For example, you can assume that a bottle of shampoo is relatively easy to photograph, until you realise that the bottle is made of black plastic material and the CAP is made of a material of shiny chrome. How you light the product so that the black bottle is not as black as it seems flat and unpleasant, without high chromium shine so brilliantly is barely visible to all the? If you try to photograph such a product, it seems that you either have to accept that the bottle will be too dark or too light plug, but not both at the same time.

Some professional photographers produced may be able to create a platform of which has finely sufficiently detailed to be able to focus the light or light diffuses the light in the right way to overcome this problem, but there is another solution is possible even faster in post-production. Taking at least two photographs of the product, one overexposed so that manifested in the black bottle and an underexposed so the CAP looks like detailed, it is possible to then mix these images together twp, transfer of the cap of the image slightly darker at the most exposed one, creating a photograph which ensures that each part of the product is properly informeddetailed and attractive.

An iPhone and a bottle of shampoo are produced hardly unusual, that gives you just a taste of several thousands of tips and tricks that product photographers use everyday for us wrong by seeing the impossible.

If your company could do with the help of professional photographers product then visit the people of the Packshot for affordable advertising photographers providing photography services at low price for small and medium-sized enterprises.

View the original article here

Using layers for Photoshop masking color match

Often, we see images that have a single object in the color and the rest is in sepia tones or a single colour contrasting. For example a blue color yacht on the sea with the port in the background by clear weather can be very dynamic. Can the dynamism be mitigated? Yes, it may be. The use of Photoshop with a contrast masking or matching of colors can be applied. The final image can be the perfect composition in which the yacht is blue, which is the main purpose of the image. The rest is made of a single colour or blurred. The use of layer masks is necessary for the editing process. Retrieve the yacht with a clipping path can also do the same. To add drama to the object (yacht), it can be put in a new image. It may be sailing later in the ocean or moving around a waterfall. Of course when it comes to the memory of the client, the Visual is the requirement.

Using adjustment layers, the designer is able to use contrasting colours also. The possibilities are unlimited for several clients. For example t-shirts can be changed, colors can be changed and packs of products may be different shades, shades of the car can be changed in too. The use of the color replacement tool can be used. It is near the Brush tool in Photoshop. The colour is selected for the painting. It can also obtain the exact shade using the tool of tolerance. Re-coloring on other colors can also be done. More details can be done with this tool. With the help of the selective tool can adjust the number of colors. But they have all to do with the help of overlay. Colors can also be replaced if they are not included in the composition. The color replacement tool is effective for the same. Can isolate the area and make re-coloring only in the part of the image. With the use of fuzzy adjustment slider adjusts the pixels accordingly. If the image should always be worked on, and then saturation and the brightness can be used. There is a way to refine the set of colors. Localized color clusters can also be launched from the Toolbox.

But it should be noted that only a professional has the power to understand and use the right Photoshop tools with masking color match. An outsourcing firm uses the best designers and advanced to make these complex jobs. It is an ideal way to combine the real and digital world in pictures. They are able to use even occasionally the false mask to the sharpness of the image layer in a specific location. It is one of the most advanced of Photoshop. When deployed this advanced feature does not require a third-party plug-in. A more advanced version of the Photoshop software has the it. The advantages of hiding are great for many companies where images play a large role in providing benefits.

Atiqur Sumon
Chief Executive, DTP & SEO Expert to outsource Experts Ltd.
Clipping path. Photoshop Masking

View the original article here