Photographers of experienced professional products have a wide range of tips and tricks they use every day to reach the sorting of the final results that not only look incredibly simple to reproduce, but who actually do the work to make people want to buy the product. It is often these photographs whose simple and relatively simple appearance that require the most important work, planning and preparation. It is only when you try to recreate these kinds of images yourself you start to realize that it is really much more to professional photography product that meets the eye, or even of the lens.
For example, you might need a product that you want to display the commands, like iPhone for example. With this dish on the table makes it look less real, and that you think, almost certainly correctly, that by standing products, it seems more three dimensions, most real and therefore more tangible and attractive.
But if you have already tried permanent iPhone or another thin, curved up you'll have noticed that it is very difficult. You can try something like Blu - Tac or plastecine, but you can't really there to confront directly unless you corner of the product in a ball, but of course it is then quite obvious.
In some cases, you will find that the product can even be supported by behind very well because it is transparent, mesh or very complex. The answer in many cases is to use the fishing line or cotton thread that is sold as "color matching" because it is truly transparent. By attaching a piece of it on the back of the iPhone with BluTak or by tying around a part of the product, you can have the standing product, or even inclined angle. Of course, you will also have the visible thread, which is if clever post production. By using technical complexes, it is possible to remove completely from the line, even of quite complicated and busy environments, making it look as if the product is standing all by itself, seemingly defying gravity photo editor.
But it is a major problem that must be overcome and there is much more. For example, you can assume that a bottle of shampoo is relatively easy to photograph, until you realise that the bottle is made of black plastic material and the CAP is made of a material of shiny chrome. How you light the product so that the black bottle is not as black as it seems flat and unpleasant, without high chromium shine so brilliantly is barely visible to all the? If you try to photograph such a product, it seems that you either have to accept that the bottle will be too dark or too light plug, but not both at the same time.
Some professional photographers produced may be able to create a platform of which has finely sufficiently detailed to be able to focus the light or light diffuses the light in the right way to overcome this problem, but there is another solution is possible even faster in post-production. Taking at least two photographs of the product, one overexposed so that manifested in the black bottle and an underexposed so the CAP looks like detailed, it is possible to then mix these images together twp, transfer of the cap of the image slightly darker at the most exposed one, creating a photograph which ensures that each part of the product is properly informeddetailed and attractive.
An iPhone and a bottle of shampoo are produced hardly unusual, that gives you just a taste of several thousands of tips and tricks that product photographers use everyday for us wrong by seeing the impossible.
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